Hannah Drake offers a powerful, inspirational message that has been heard in various arenas around the world. Hannah has had the distinguished privilege of opening for political and social justice activist, Angela Davis, National Book Award Winner and poet, Nikky Finney, author and motivational speaker, Iyanla Vanzant, honorable judge and TV personality, Judge Gregory Mathis, and rapper and music producer, BIG K.R.I.T. Hannah has served as a presenter at Ideas Festival at WKU and in Louisville, KY as a panelist with CNN chief national correspondent, John King. In April 2017, Hannah had the honor of curating an evening of performance artists for the Festival of Faiths entitled Compassion Rising which reflected how arts could have an impact on the compassion. In November 2017, Hannah’s poem Spaces was selected by the National Academy of Medicine to be featured in a national art exhibit that speaks to visualizing health equity. Also, Hannah was chosen as a 2017 Hadley Creatives, a partnership between the Community Foundation of Louisville and Creative Capital to help local artists build their professional practice, cultivate an expanded peer network and dedicate time for reflection and planning. In December 2017 Hannah was honored for her work by the Kentucky Alliance of Against Racist and Political Repression.
In 2014, she joined Roots and Wings, a dynamic group of artists that seek to bring social change to their community. In 2015 and 2016, Hannah Drake, along with the members of Roots and Wings were able to perform their written plays, The West End Poetry Opera and The Blood Always Returns, at the Kentucky Center for the Performing Arts.
“Always leave crumbs & footprints detailing your greatness for those that are coming behind you.”
In 2016, Hannah’s poem Formation poem went viral being shared over 20,000 times around the world. A lover of writing and social justice, Hannah’s new blog offers commentary on current events and has been viewed around the world. Hannah’s work is filled with passion and truth, believing that communication is indeed the beginning of change. Hannah is the author of several works of poetry, Hannah‘s Plea-Poetry for the Soul, Anticipation, Life Lived In Color, In Spite of My Chains, For Such A Time As This and So Many Things I Want to Tell You-Life Lessons for the Journey. Her debut novel Views from the Back Pew was received with stellar reviews and was performed on stage to a sold-out audience. Her follow-up novel, Fragile Destiny has been hailed as life-changing. Currently, Hannah is working on a new collection of poetry and life lessons, entitled Love, Revolution, and Lemonade. Her powerful, honest delivery has garnered her the nickname, "Brimstone." More information about Hannah can be found at her website www.hannahldrake.com.
Judge Kemp played into the narrative that White women will always be seen as the victim. It is not Botham’s memory and justice for this life that is the focal point of the nation, but it is Judge Kemp’s response that is now the story. It is now a story of Black people that have been victimized by White people offering White people forgiveness. It is now the story of Black people taking the obligatory high road even as we bury our loved ones.
Meet Bob. Bob is an M.W.M. better known as a Mediocre White Man. Bob doesn’t believe that he is mediocre. In fact, Bob believes that he is the Master of the Universe. When Bob wakes up in the morning, Bob doesn’t think about being bloated from eating 3 […]
Black women have paid our dues in blood.
Black women are tired of cleaning up your messes!
Black women will no longer let you suck at the bosom of our brilliance.
Black women are not this nation’s mammy. Our titties are tired!
If you want to save this nation, take a long hard look in the mirror. Do not ask us to save you.
I felt like I was indeed going to pass out. I thought for sure it was going to require the jaws of life to get me out of this get-up. Y’all I was racing home, and by this time my bra started to conspire with the Spanx, and I felt like I was wrapped in the grip of a boa constrictor. NEVER AGAIN!!
In thinking about racism, I was reminded of the Five Stages of Grief (Denial, Anger, Bargaining, Depression, Acceptance) developed by David Kessler and Elisabeth Kübler-Ross. I realized that facing racism has a similar process. There are stages of facing the reality of racism.
White Feminism always needs a participation trophy. Take yourself OUT OF THE CENTER WHITE WOMEN! It is okay to stand with Black people, to understand injustice and NOT MAKE IT ABOUT YOU! It isn’t about your “sadness” because you are White and privileged.
How long are you going to remain lukewarm, Amy? How long are you going to flip flop on issues that impact this state and this nation? PICK A SIDE and show this state WHY you are the BETTER PERSON TO LEAD THIS STATE! If not STEP ASIDE so that someone can stand in their TRUTH and COURAGE to show the people of this state just how much we can rise when we stand together!
Trusting Black Women is more than a catchy hashtag. It is more than a talking point on the campaign trail. Trusting Black Women is more than inviting a Black woman to the table without any leadership or decision-making authority. Do not invite me to the table if I am expected to sit pretty and poised with no power. Making a hashtag does absolutely nothing without clear motives and actions behind it.
Let’s just get right into it – Beyoncé is THAT BITCH! PERIODTTTT!! ALL THE T’s!! There is no greater living entertainer on the planet. Period. Before I take it back, I will add more to it. Argue with your aunties and grandmas don’t argue with me.Beyoncé came to Coachella to snatch all the vanilla, #FFFFFF, flower crowns and snatch them she did!
What y’all don’t understand is before we even leave the house we have already decided what’s gonna happen that day. We have already decided just how much bullshit we are going to deal with. We shower, get dressed and put on our “I wish a muthfucka would” lipstick, “Ain’t no one Fenty bother me” foundation, spray a little bit of “I don’t give a damn” perfume on our wrists, slip on our “Try me if you want to” stilettoes and grab our, “I will turn into Annalise Keating up in here,” handbag and head out the door, singing Take Me To The King the entire drive to work.
